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DTSTAMP:20260417T190159Z
LOCATION:West Building\, Level 2\, Outside Room 219
DTSTART;TZID=America/Los_Angeles:20250811T090000
DTEND;TZID=America/Los_Angeles:20250811T173000
UID:siggraph_SIGGRAPH 2025_sess409@linklings.com
SUMMARY:Posters: Art & Design
DESCRIPTION:17. Haunting Horizons: Human–AI Auto-Cartography of Tasmanian 
 Island Experience\n\nExtending Giada Peterle’s concept of auto-cartography
 , this paper explores Tasmania’s complex and dynamic island identity throu
 gh an interactive installation powered by a customised generative AI model
 . By collecting human experience as a training dataset, it reimagines mapp
 ing as an emb...\n\n\nAdam Hsieh (University of Tasmania)\n---------------
 ------\n16. Foliager: Procedural Forest Generation From Natural Language U
 sing Scientific Data and AI\n\nFoliager is a generative AI-powered pipelin
 e that transforms natural language into biologically plausible 3D forest e
 cosystems, combining ecological simulation with procedural graphics to sup
 port scientific visualization, storytelling, and environmental design.\n\n
 \nGrace Todd and Mike Bailey (Oregon State University)\n------------------
 ---\n15. Exploring AI Frame Interpolation Techniques for Watercolour Anima
 tion\n\nThe animated short film Sensual explores a novel workflow for hand
 -painted watercolour animation, blending traditional artistic methods with
  AI-based frame interpolation techniques. By combining compositing with th
 e Real-Time Intermediate Flow Estimation (RIFE) image interpolation networ
 k, we signif...\n\n\nTanja Nuijten, Hannes Sturm, Vincent Maurer, and Avin
 a Graefe (Filmakademie Baden-Württemberg GmbH)\n---------------------\n14.
  Dust in Time: Exploring Embodied Experience of Time via an Interactive In
 stallation\n\nThis paper introduces Dust in Time, an embodied and tangible
  interactive installation that transforms physical gestures into audio-vis
 ual responses through hourglasses and projected particles, offering a refl
 ective exploration of time and human presence.\n\n\nZhonghe Ruan, Junwei L
 iu, Min Fan, and Haiyan Li (Communication University of China)\n----------
 -----------\n13. Digitizing Devotion: Virtual Religious Spaces for Cultura
 l Preservation and Transmission\n\n"Digitizing Devotion" utilizes advanced
  oblique photography and AI to create immersive virtual reconstructions of
  sacred spaces, preserving traditional worship practices for the global di
 aspora while ensuring cultural continuity across generations and geographi
 cal boundaries.\n\n\nKuo Zhang (Nankai University; Heryin Metaconstr (Tian
 jin) Digital Technology Co., Ltd.); Zhiqi Gao (Nankai University, The Chin
 ese University of Hong Kong); Shuai Zhang (Nankai University); Mingrui He 
 (Wenzhou Business College); Shuochen Zhao (Yunnan University); and Mengyao
  Guo (Harbin Institute of Technology, Shenzhen)\n---------------------\n12
 . Beyond Automation: Fostering Agency Between Humans, Algorithms, and Mach
 ines in Computational Design for Digital Fabrication\n\nThis project explo
 res the role of the designer in digital fabrication workflows as digitizat
 ion leads to higher levels of design automation. As digital technologies a
 re adopted to streamline design to manufacturing workflows, elements of th
 e creative process can become standardized to improve produc...\n\n\nCody 
 Tucker (TURF Design)\n\nRegistration Category: Full Conference, Experience
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